Doing away with domes, arches, and minarets; having youth corners instead.
When the Al-Mawaddah Mosque opened in 2009 with its roof-top garden, aluminium exteriors, and Building and Construction Authority (BCA) green-mark-award winning sustainability features, it was a sign that mosques in Singapore are going through a philosophical change to engage the country's young Muslims and “stay relevant in modern context”, as noted by Zaini Osman, head of the mosque policy and planning division of Majlis Ugama Islam Singapura (MUIS) - also known as the Islamic Religious Council of Singapore. Osman had told Reuters then “this is about co-existing with society at large”. The mosque, which is located at Compassvale Bow, has no dome. Instead, it has a computer equipped youth corner to engage young Muslims.
Omar Kampong Melaka Mosque. Probably the oldest surviving mosque in Singapore. Built in 1820 by Syed Omar Ali Aljunied, a wealthy merchant from Sumatra, Indonesia. Rebuilt twice in 1855 and 1981-82, the mosque is now a historical monument as accorded by the Singapore Preservation of Monuments Board.The issue was highlighted again in 2011, when during its Mosque Convention, MUIS decided to “review mosque design concept and model for next phase of mosque building”. The Council also vowed to intensify its efforts to make mosques in Singapore family, youth and community friendly.
Last year in a seminar organised by the National Heritage Board titled Singapore's Islamic Architecture in Transition, Kurjanto Slamet, an architect from Ong&Ong, and Tan Kok Hiang, founding director of Forum Architects, argued how modern designs of mosques in Singapore are a symbol of openness and inconclusiveness. Tan's firm had designed the Assyafaah Mosque and was also involved in retrofitting the Almumkinin Mosque.
While designing the Assyafaah Mosque, Forum Architects, as noted on the mosque's own website “deliberately avoided the literal adaptation of icons typically associated with Islam. These are the dome, the arch, the traditional minaret and traditional arabesque patterns. Quite a few of these traditional symbols stem from Mughal, Ottoman, Mamluk or Safavid cultures, and thus have little relevance to the cultural context of Muslims and Malays in Singapore. However, recognising that 'historical imagery' can be a powerful means of communication, the design adapted and created contemporary versions of the arch, the minaret and the arabesque patterns. The result is that the complex is easily identifiable as a mosque, in contemporary and global Singapore”.
The Sultan Mosque. Dates back to 1823. Located at the historical Kampong Glam site. The present mosque structure, which is a combination of Persian, Moorish and Turkish themes representing the Islamic Saracenic style with big domes and minarets, was completed in 1928. Known for its unique multi-ethnic administration, the mosque is governed by a charter put in place in 1914 which stipulated that the Board of Trustees must represent the six different ethnic groups of Malays, Arabs, Javanese, Bugis, as well as north and south Indians.
Interestingly, for the first time a mosque design review committee was set-up which gave design suggestions for the upcoming Punggol Mosque. The final design of the mosque will be unveiled at the ground-breaking ceremony later this year incorporating the committee's feedback.
Going ahead, MUIS is also looking at friendlier buildings for mosques with barrier-free infrastructure such as ramps, and toilets for the handicapped, which will enable mosques to be inclusive and cater to a wider community.